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Celebrated fetish artist Brian M. Viveros is internationally embraced for his erotic paintings of doe-eyed beauties with Marlboros dangling seductively from their lips and has also recently been utilizing the medium of film to capture the dark and evocative debris that radiates from his mind. His paintings are a drunken mix of oil, airbrush, acrylic, and ink. In his work Viveros shines a light on his own inner world and society at large and aimsto captivate even the most jaded eyes.

Viveros’ recognition accelerated with his participation in ‘The Art of Porn’ exhibition held in Switzerland (1997), where he exhibited alongside H.R. Giger. Since then Viveros’ work has been exhibited extensively in North America and Europe in numerous gallery shows and at Aqua Art Miami (2009) and GenArt’s Vanguard Fair (2008). His work has also been featured in numerous books including Les Barany’s ‘Carnivora: The Dark Art Of Automobiles’, Harry Saylor and Carolyn Frisch’s ‘Edgy Cute: From Neo-Pop to Low Brow and Back Again’, Matt Jordan’s ‘Weirdo Noir’, and Erotic Signature’s ‘The World’s Greatest Erotic Art of Today – Vol. 1 and Vol. II’.

His work has also been featured in the pages of Juxtapoz (no. 118), Secret Magazine, In the Flesh, Skin Two, Drawing Blood, Darks Art, Joia Magazine, Tattoo Extreme, XFUNS Magazine, Let’s Motive, Truce, Digital Temple, Riviera Magazine, Uce Magazine, Ego Magazine, Real Detroit Weekly, .ISM Quarterly, Tattoo Society, Dark Art’s Parlour Magazine, Revolution Art, Iniciativa Colectiva, Fetish Magazine, and was also recently featured on the TV show ‘LA Ink’ (where artist Nikko Hurtado tattooed one of Viveros’ paintings onto a client).

Viveros made his directing debut in 2005 with his quietly eerie, boldly stylized short film Dislandia, a psycho-drama revolving around a young girl who exists in a desolate world full of dreamlike images that range from bizarre to symbolic and erotic. Southern, his latest surreal film, returns cinema to the unclean. Southern is an experience of primordial sights, sounds, and sentiment, blanketed by a fog of troubling eroticism and violence. Viveros was also recently featured on the Sundance Channel’s ‘Pleasure for Sale’ where they featured a behind the scenes look at the artist and the dislandic crew that helped him to create his film Southern.

"…Brian’s trip to Switzerland can only be described in three words: ‘Veni, vidi, vinci.’ People here are crazy about his work and can’t wait for him to return and bedazzle them again!"-Museum of Porn in Art, Zürich, Switzerland

"Mysterious sexy women, with their remarkable sensual eyes, and a cigarette in the corner of their mouths, became his trademark. These characters play their lustful roles, sprouted from the brain of the American artist Brian Viveros. His art is a unique mixture of different visual and artistic concepts, surrealism, role playing and some quite heavy pain fantasies. Like the ones where the women are hooked, tortured and bound, but somehow, even in these morbid scenes, he is capable of maintaining a decent dose of humor."-Art of Love

"The erotic artwork of Brian M. Viveros is a satisfying cross between the Varga Girls and the surrealist renderings of Hans Bellmer. At once playful, hypersexual and erotic, there is also something darkly engaging in Viveros’s images. While he’ll play up the demon aspects of the Femme Fatale, or the depravity lurking just beneath the surface of the innocent girl, he does so with a sense of awe – as if honoring what’s ‘dangerous’ in the erotic female form, not fearing it or degrading it."-Marilyn Jaye Lewis, editor The Mammoth Book of Erotic Photography; Erotic Writer of the Year, 2001

"I don’t know why I am attracted to his paintings of tattooed, beaten women, but they have such a defiant look, with their Louise Brooks/Pandora’s Box black ‘helmet hair’ and cig dangling from their mouths, one eye swollen shut. It is to so erotic and powerful, about us women who get beaten up every day…"-Jenny Lens, punk photographer/archivist – she shot Darby Crash!

"…hauntingly memorable and erotically arousing work."-Francis Lora, contributing writer to Urban Latino Magazine and the Manhattan Times


I'm cumming, Tusche auf Papier, 43 x 28 cm
I Suck My Tongue, Tusche auf Papier, 14.3 x 15.5 cm
Blind Unfold, Oel auf Karton, 2005, 45.7 x 55.9 cm
Choke Her, Oel auf Karton,2005, 44.5 x 50.8 cm
Beware of the Dog, Oel/Airbrush/Acryl auf Karton, 2005, 66 x 36.8 cm
Smoke out your Ass, Airbrush/Kohle/Bleistift auf Papier, 2001, 48.2 x 43.1 cm
The Weekend Jar, Oel/Airbrush/Tinte auf Karton, 2006, 53.3 x 27.9 cm
Behind the Dirty Glass, Oel auf Karton, 2006, 55.9 x 47 cm
Dirty Land, Oel auf Karton, 2007, 58.5 x 48.5 cm
Move Her and Shake Her, Oel/Tapete auf Karton, 2007, 70.5 x 47 cm
Lucha Viveros, Oel/Mischtechnik auf Karton, 2012, 49.5 x 44.5 cm